A Quick Guide To Speedboosters (Focal Reducers)



If you’ve been in filmmaking and videography for some time, you’ve probably heard of speed boosters.

These devices, known adequately as focal reducers, are often costly and little understood. And considering how costly focal reducers can be, it may not seem worth investing.

Yet, if you’re looking to get an extra stop of light from your lenses, adapt non-native lenses, and make your lenses capture a wider angle, focal reducers are for you.

The most recognizable brand is the Metabones Speed Booster, which is why focal reducers are often referred to as speed boosters.

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The Metabones Speed Booster 0.64x
for EF to M43 mount on Amazon.

Metabones Speed Boosters are top-of-the-line adapters, and their prices reflect that. And the high prices make this technology seem inaccessible to many filmmakers.

Luckily, there are a few cheaper and lesser-known alternatives on the market, and I’ll look at some of the best out there in this guide.

But first, here’s a brief overview of how the focal reducers function. If you’ve never used a focal reducer, we recommend you read this guide first and learn how focal reducers work on a basic level.

What is a Focal Reducer?

A focal reducer is a lens adapter that adapts larger lenses to smaller-sized, a.k.a. crop-sized sensors. For example, you can use a full-frame Canon lens with EF-Mount on a Micro-Four-Thirds camera.

Now, you can get a lot of adapters – electronic adapters and “dummy” adapter – which also does that.

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A typical “dummy” adapter

But a focal reducer is constructed in such a way that you do not only gain an extra stop of light but also a wider field of view when you do so.

Focal reducers only exist for mirrorless cameras because the mirror in a DSLR camera would get in the way because of the way these adapters are functioning.

Focal reducers exist for a lot of different mirrorless cameras with cropped sensors. The different sensor sizes will affect the impact focal reducers have.

In this guide, we will be focusing specifically on Micro Four Thirds (MFT) mounts. When you put a focal reducer on an MFT sensor, you’ll get a wider field of view than on a super 35mm/APS-C sensor.

How Does A Focal Reducer (Speedbooster) Work?

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A large factor that makes focal reducers different from standard lens adapters and more expensive is that they have glass in them.

The addition of glass in these adapters effectively puts a lens between the original lens and the camera, which shortens the focal length.

Instead of measuring the distance from your lens to the sensor, the focal length of your camera is now affected by a piece of glass between the lens and the sensor.

And since the f-number is found by dividing the focal length by the aperture diameter, reducing the focal length makes the f-number smaller and, therefore faster.

Gain One Stop of Extra Light

Also, the added glass is why focal reducers make the lens “faster,” adding up to an extra stop of exposure. The curved glass of the focal reducer concentrates the light entering through your lens onto the sensor.

So while the same amount of light passes through the lenses, it’s essentially packed into a smaller sensor area.

This can be very helpful if you need to shoot in low light or achieve a very shallow depth of field.

This also means that for a focal reducer to work, the lens should be designed for a larger sensor than the camera.

For example, you can use a lens designed for a full-frame or APC-S sensor on an MFT camera. But you can’t do it the other way around without heavy vignetting.

Something to take into account is that while focal reducers boost the maximum aperture of the lens, they also boost the minimum.

If you want to set your camera to something like f/22, you must remove your booster.

Metabones vs. Cheaper Alternatives

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Now, with focal reducers, you get what you pay for. That doesn’t mean that you can’t use more budget-friendly alternatives. A lot of people do so with great success, amateurs as well as professionals.

However, there are some caveats you should be aware of.

A benefit of using a high-quality focal reducer like Metabones is that the lens’s Modulation Transfer Function (MTF – not to be confused with MFT) is also increased.

What this means is that the resolution and the contrast of the lens are improved upon. Lenses tend to get softer and contrast less as you move from the center to the edges.

But with a good focal reducer like Metabones, your lens becomes sharper and has more contrast near the edges.

This is a point where the cheaper alternatives often fall short. Instead of increasing the MTF, they decrease it, which results in a softer image. But a softer image isn’t always a bad thing when it comes to video.

No Electronic Connections

Many cheap focal reducers also do not offer an electronic connection between the lens and your camera.

If you’re using a cine or a manually controlled lens, this won’t cause any issues.

Still, if your lens can only have the aperture and focus adjusted in-camera, then it is strongly suggested to spend the extra money and acquire an adapter that has an electronic connection.

The issues of electronic connection will be covered in more detail as we cover the specifications of our recommended focal reducers.

Notes on Adapting Micro Four-Thirds Lenses

Adapting lenses to MFT lenses using a focal reducer is helpful due to the small size of the MFT sensor.

The small size of an MFT sensor doesn’t make it as good in low light as APS-C or full-frame sensors. So, having the ability to gain an extra stop of light is great.

Furthermore, on MFT, it can be challenging to find genuinely wide-angle lenses, and you’re limited to a few options. One of these is the amazing Laowa 7.5mm f/2.0, which you can read my review of here.

Focal reducers can be very helpful if you’re like me and like the look of wide-angle lenses but shoot with anything besides a full-frame sensor.

These adapters give those of us who shoot on crop sensors a much wider array of glass to choose from.

A Quick Note that there are special Special Focal Reducers for BMPCC 4K

Due to the filter stack thickness of 2.4mm found in the Blackmagic Cinema Camera 4K (compared to the 4mm found in standard Micro-Four-Thirds cameras), Metabones has developed a unique series of focal reducers for this camera.

The special version differs from the ordinary Metabones XL and Ultra in that 1) it offers a new optical design optimized for the BMPCC4K, which gives you a sharper image across the lens, and 2) it comes with a longer tripod mount that matches the height of the BMPCC 4K camera body.

While you can use the ordinary Metabones Ultra and XL on BMPCC4K, you can’t use the special BMPCC4K edition on other MFT systems.

So if you own a BMPCC4K, you must be aware of this. You can find Metabones Speed Boosters for BMPCC4K here on Adorama – both cine and standard versions.

How to Calculate the New Focal Length

I often see a lot of bad math when people discuss calculating the new focal length using a focal reducer. But it’s pretty simple.

The equation looks like this:

Focal Length x Crop Factor x Focal Reduction

In terms of hardware:

Focal length (lens in mm) x Crop Factor (camera sensor type) x Focal Reduction (type of focal reducer)

Let’s look at an example:

The Panasonic GH5 is an MFT system, which means you get a 2x crop factor.

We now take a Canon EF 100mm lens and put it on the GH5 with a dummy adapter (non-focal reducer).

The field-of-view from this lens on the GH5 corresponds to a 200mm lens on a Canon full-frame camera because of the 2x crop factor: 2 x 100mm = 200mm.

Now we put a Metabones Speedbooster XL, which offers 0.64x focal reduction between the GH5 and the lens.

The new focal length is 200mm x 0.64 = 128mm. In other words, the 100mm lens now gives you the equivalent field-of-view of a 128mm lens on a full-frame system.

If we used the Metabones Speedbooster Ultra instead, which has a 0.71x focal reduction, we would get the field-of-view of using a 142mm lens on a full-frame camera (200mm x 0.71 = 142mm).

Lots of Lenses to Choose From

With a focal reducer, you can adopt a crazy amount of lenses from both APS-C and full-frame camera systems.

You can even adopt vintage glass. For example, Metabones makes a focal reducer for Canon FD-mount glass to MFT.

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The Metabones Cine EF-MFT
Speed Booster on Amazon.

If you own cine lenses, Metabones also makes special adapters for cine glass.

And this is where the MFT system shines: you can use so many different lenses from all kinds of systems with all kinds of adapters – focal reducers being only one.

Using focal reducers can affect image quality, though certain models and brands do a good job of limiting the impacts. As with any adapter and cheap lenses, field curvature, distortion, light leaks, and chromatic aberration are risks.

Ensuring that you get the best focal reducer for your price point is extremely important to save yourself from any headaches in the future.

Cheap Alternatives To The Metabones Speedbooster (For MFT Mounts)

While Metabones certainly sets the standard for focal reducers, luckily for us independent filmmakers, other companies are putting their hats in the ring.

That being said, most don’t work very well. There’s actually only one brand I would recommend, and that is Viltrox.

Viltrox EF-M2 Lens Adapter For Canon EF Lens To Micro Four Thirds

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Weight: 4.90 oz / 0.14 kg

Magnification: 0.71x

Lens Mount: Canon EF

Camera Mount: Micro Four Thirds

Strengths: The Viltrox EF-M2 Adapter connects the electronics of the lens to the camera, so autofocus and aperture can work from the camera. This will drastically increase the options of lenses you can use. Additionally, it has the same benefits as other boosters, giving an extra .6 stops and 0.71x magnification. The image quality is solid, though minor concessions will be made.

Weaknesses: While there is an electronic connection, you can’t switch to a manual while the camera is on. Often times this won’t be an issue, though it can be a bit annoying to have to turn the camera off and back on.

Though there is an electronic connection, autofocus is slow, unreliable, and difficult to find focus. Finally, you’ll a slightly softer image and some chromatic aberration.

Description: This is one of the cheapest options for a focal reducer with an electronic connection. If you plan on using anything besides cine lenses, this is essential. The booster does well to create a rather sharp image, though it’s imperfect. For the price, the extra boost in aperture is great and it is very handy to help offset the MFT crop factor.


Often focal reducers seem like expensive pieces of gear that aren’t worth it. After seeing some of the affordable options, though, you may be considering picking one up.

Especially for filmmakers, videographers, and photographers using crop sensors, focal reducers can greatly expand the number of lenses available to you and their usability.

Additionally, focal reducers can be a great way to equip old lenses with new cameras if you are transitioning between cameras.

While Metabones sets the standard in quality, many of these cheap options are a great foray into the world of focal reducers. Adapters such as the Commlite Lens Adapter offer solid image quality at a reasonable price and can help offset the crop factor of an MFT sensor.

Focal reducers have numerous benefits, from the widened focal length to an extra stop in the aperture.

If you use a focal reducer or have a favorite brand, let us know in the comments what it is and why you love it. Otherwise, it may be time to consider picking one up and testing these devices!


  • Cade Taylor

    Cade Taylor is a filmmaker and writer based out of Los Angeles. Originally from Seattle, he continues to work as the Outreach Coordinator for the Bigfoot Script Challenge, where he helps connect up-and-coming writers with industry professionals. When he’s not working on his own projects, helping out with Bigfoot, or covering desks, Cade loves to share what he knows with other filmmakers and promote great content.

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