What is a Full Shot? Definition & Examples from Film

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Published: November 26, 2024 | Last Updated: November 28, 2024

Full shot Definition & Meaning

A full shot (FS) shows the entire human body from head to toe within the frame. The frame typically has some headroom and a bit of space below the feet—just enough to let the character breathe in the composition. Directors often use full shots to establish a character’s relationship to their environment or to highlight body language. An FS can be created with any lens type, but a wide angle is a common choice.

Why and when directors use full shots

Full shots capture a character’s whole story—their actions, clothing, surroundings, and interactions with others. Directors use them when every physical detail counts, from subtle body language to broad movements through space.

Let’s examine some movie examples and briefly analyze each one to understand its purpose and why the director might have opted for a full shot in that specific context.

Dominate the scene

A full shot can be used to let a character dominate a frame. Shooting from a low angle can stress this, but it doesn’t have to be.

No Country For Old Men Full Shot example
Full Shot example from No Country For Old Men (2007). Miramax.
Image Source: Bestmovieshots

Look at the frame above from the Coen Brothers’ No Country For Old Men (2007). The antagonist, Anton Chigurh, enters Llewelyn Moss’s (Josh Brolin) plain home in search of Moss and the stolen money.

By framing him using a full shot in the center of the screen and letting him stand taller than the door frame, the Coens underline that he is an imposing and scary character. We feel trapped in the mess in the tiny home. The bright backlight contrasts his dark clothes, making him appear almost as a silhouette—like Death coming to collect what he’s owed (which Anton essentially is.)

Show a Character’s Actions

Because full shots show the entire human body, they are ideal for showing how characters move through space, whether dancing, fighting, acting on stage, or simply walking.

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In this frame from La La Land (2016), a full shot shows Mia’s action (dancing) in the jazz club where Seb is playing. Lionsgate.
Image source: Film-Grab

In La La Land (2016), director Damien Chazelle uses full shots to capture every step and gesture of the dance sequences, allowing us to see the complete choreography.

Establish Setting and Context

Full shots reveal both characters and their surroundings in balanced proportion. The wide frame shows people directly related to their environment—whether dwarfed by tall buildings or standing dominant in an empty street. It helps establish the context and setting for the story.

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Full shot example from Barbie (2023). Warner Bros Pictures.
Image Source: Film-Grab

Take a look at the frame from Barbie (2023) above. Here, a low-angle full shot reveals the coming of a new age of dolls: the Barbie doll. Set to the music of Also Sprach Zarathustra, Barbie (Margot Robbie) stands as a monolith, a new beginning, a new dawn, and, of course, an intertextual reference to the opening scene of Stanley Kurbrick’s epic sci-fi 2001: A Space Odyssey (1968).

Display a Character’s Wardrobe

When costumes matter to the story, full shots provide the perfect view. Every detail, from shoes to hats, stays in frame, letting the audience take in complete outfits and what they say about characters.

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Full Shot from Batman Returns (1992) showing off the bat wings. Warner Bros.
Image Source: Film-Grab

The screenshot above from Batman Returns (1992) is an excellent example of using a full shot to show off a character’s wardrobe—in this particular instance, Batman’s cape, which also functions as wings. The full shot lets us see the “caped crusader” in all his might and glory, and the references to his origin story and the bat cave are implied.

Show Body Language Between Characters

Full shots bring body language into sharp focus. When two or more characters share the frame, we see how they position themselves – their physical distance, posture, and movement patterns all carry meaning.

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Full Shot example from Gladiator (2000). Universal Pictures.
Image Source: Film-Grab

In the frame above from Gladiator (2000), Maximus (Russell Crowe) has just been offered the position of Caesar. He’s overwhelmed and knows this is a dangerous position, and he’s anxious to return to his family and Rome. Lucilla expects this and orders him to stop, which he does out of respect for her and their prior love affair. Lucilla mentions that Commodus hopes to be promoted to Caesar shortly – a subtle way to say that she wishes Maximus would accept instead.

Ridley Scott uses a “dirty” full shot that stops and locks Maximus in the center of the frame. He’s trapped, and even though we see him in full in his mighty armor as a Roman, his body language and facial expression screams, “fuck!”. On the other hand, Lucilla is in control, with a determined gaze locked on Maximus, determined not to let him get away before she has said what she has to say.

The difference between a full shot and a wide shot

A full shot is a type of wide shot – but not all wide shots are full shots.

Wide shots is a family of shot types that show subjects in relation to their environment, including:

That said, a full shot and a long shot (standard wide shot) are essentially the same thing. Both show a character from head to toe within the frame. The term “full shot” emphasizes the framing of the complete human figure. In contrast, “long shot” or “wide shot” emphasizes the camera’s distance from the subject, but they achieve the same basic composition. Both show the entire character while including some surrounding environment.

Summing Up

A Full Shot (FS) captures a character’s body from head to toe in the frame. It reveals body language, wardrobe, and emotions while showing physical context. You can use FS to establish characters’ presence in a scene through posture and movement, display relationships between characters, and connect subjects to their environment.

Up Next: The FilmDaft Guide to Camera Shots, Angles, and Movements.

By Jan Sørup

Jan Sørup is a indie filmmaker, videographer and photographer from Denmark. He owns filmdaft.com and the Danish company Apertura, which produces video content for big companies in Denmark and Scandinavia. Jan has a background in music, has drawn webcomics, and is a former lecturer at the University of Copenhagen.

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