What Is a Shot List? Definition, How to Make One (+ Free Template)

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Published: November 28, 2025 | Last Updated: December 5, 2025

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Shot lists are usually made during pre-production by the director and cinematographer. A shot list helps you plan each camera setup, reduce delays on set, and make sure you capture every shot needed for editing, including wide coverage, reaction shots, and inserts.

Why Shot Lists Matter

A shot list gives your shoot a clear structure. You know what to film, how to film it, and in what order. That prevents delays, avoids missed coverage (like alternate angles, inserts, or reaction shots that are hard to recreate), and helps every department stay prepared. When the crew knows which lens to prep, what props to reset, or where to place lights, the shoot moves faster and stays consistent.

When to Use a Shot List

Shot lists are most helpful on narrative films (live action as well as animated movies), commercials, music videos, or any project with different locations, multiple lighting setups, or complex camera moves.

A “setup” means changing the camera’s position, angle, or lighting, and each setup takes time. Planning these steps saves hours during production. I’ll get back to how to deal with setups in a shot list in a minute.

Do You Need Shot Lists for Video or Documentaries?

For smaller projects like interviews, vlogs, or documentaries (if it’s mostly run and gun), you may only need a loose outline. That might include camera angles you want, key moments to capture, or how you plan to move between locations. It keeps the shoot organized while still giving you room to adjust as events unfold.

What a Shot List Should Include

A good shot list includes both creative and technical details for every shot. Most lists include:

  • Scene and shot number – for matching the script and tracking continuity
  • Location – especially when scenes shift between interior and exterior settings
  • Shot type – wide, medium, close-up, insert, over-the-shoulder
  • Camera angle – high, low, eye-level, point-of-view
  • Camera movement – pan, tilt, dolly, handheld, crane, or static
  • Description of action – gestures, lines of dialogue, prop use, or important reactions
  • Technical notes – lens size, depth of field, lighting direction, filters, or special equipment
  • Optional scheduling notes – estimated duration per shot or grouping shots by setup

Many shot lists also include a setup column to group shots by shared camera position and lighting. A setup is a specific arrangement of the camera and lights. If the camera changes position, angle, or focal length, or if the lighting shifts, it usually counts as a new setup. Grouping shots by setup helps reduce downtime and makes the day more efficient.

Here’s an example. If you’re filming a dinner scene, your shot list might include:

SceneShotSetupTypeCamera AngleDescriptionLens
241AWideEye-level, staticMaster of full table24 mm
242BMediumOTS of Character ADialogue line 135 mm
243CMediumOTS of Character BReaction + fork drop50 mm

This breakdown gives the camera team, actors, props, and lighting crew clear instructions. It also ensures you have the master shot, close-ups, reaction shots, and inserts needed to edit the scene later.

How to Build a Shot List (Best Practices)

Start with the script. Go scene by scene and decide what needs to be shown visually. Ask: What’s the key action? Who should the camera focus on? What mood should the framing and angle support: tension, calm, or urgency?

Group shots by setup. If several shots use the same camera position or lighting, film them together. This reduces the time spent shifting gear between setups.

Write each shot with specific details. Include the shot size (wide, close-up), angle (low, eye-level, OTS), movement (dolly, static, tilt), lens choice, depth of field, and any actions or lines delivered in the shot.

Match shot numbers to the script. This helps with continuity, slating, editing, and keeping shot logs organized.

Use a spreadsheet or template. Most shot lists are built in Google Sheets or Excel. Use one row per shot and columns for scene, shot type, angle, movement, lens, description, and notes. This makes the list easy to scan and update.

Stay flexible during the shoot. A shot list is a plan, not a fixed schedule. You may need to rearrange shots if lighting changes, a location becomes unavailable, or an actor must leave early. A detailed list lets you adapt without losing important shots like cutaways, reactions, or key lines that hold the scene together.

How a Shot List Differs from Storyboards and Schedules

A shot list is a written document. A storyboard is a visual sketch. A shooting schedule is a calendar showing when and where each scene will be filmed.

The script provides a story and formatted dialogue. The storyboard shows how scenes might look. The shot list explains what to shoot and how to shoot it. The shooting schedule uses that list to plan each day based on setup time, location availability, and crew needs.

Most productions use all three tools together. You might storyboard complex action scenes, write a detailed shot list for coverage, and build a schedule that keeps similar setups grouped for efficiency.

Shot List Free Template

Here’s a free template for Excel or Google Docs, ready to use on your own production:

Summing Up

A shot list is your scene-by-scene filming plan, listing the exact shots you need, how they’re framed, how they move, and how they’re organized on set.

It helps you avoid continuity errors, missed angles, and wasted setups. When your team knows what to shoot and when to shoot it, your production stays focused and efficient. Whether you’re making a short film or a feature, a clear shot list saves you time and prevents guesswork during the shoot.

Read Next: Want to keep your production on schedule and under control?


Browse all project planning articles — from production calendars and call sheets to budgeting, scheduling, and prep workflows.


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By Jan Sørup

Jan Sørup is an indie filmmaker, videographer, and photographer from Denmark. He owns FilmDaft.com and the Danish company Apertura, which produces video content for big companies in Denmark and Scandinavia. Jan has a background in music, has drawn webcomics, and is a former lecturer at the University of Copenhagen.