What is an Over-The-Shoulder Shot in Film? Definition & Examples

What is an over the shoulder shot in film OTS definition meaning examples featured image

Published: November 20, 2024 | Last Updated: November 26, 2024

Over-The-Shoulder Shot Definition & Meaning

An over-the-shoulder (OTS) shot frames one character from behind the shoulder and the partial head of another character in the foreground. It is typically used to help orient the viewer and establish connectedness between characters in dialogue scenes, such as to create intimacy or confrontation between them.

Why use an over-the-shoulder shot?

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In this frame from the famous coin-toss scene from No Country for Old Men (2007), an OTS is used to connect the fate of the gas station proprietor (Gene Jones) to customer Anton Chigurh (Javier Bardem). The two characters share no history and are random strangers to each other, and such could have been framed individually. But because Anthon Chigurh is a psychopath who decides whether to kill or not kill the proprietor with a coin toss, the Cohen brothers use OTS shots to tie the two characters to each other. Miramax.
Image Source: Film-Grab

The OTS is one of the most commonly used camera framing techniques, especially for shooting coverage in dialogue scenes. It is common because it’s an excellent choice when you want to guide viewers’ orientation within the scene.

It’s also an interesting shot choice because it allows us to view and share the subjective experience of the scene from the character in the foreground without being an outright first-person point of view (POV). Instead, it’s a third-person voyeuristic POV that lets us get intimately close to the action.

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Here’s an OTS shot example you rarely see in film. It’s from Lord of the Rings: The Return of the King (2003), and it shows Aragon, flanked by Gandalf and Legolas, about to fight the armies of Mordor. Framing Aragorn this way puts us in the third rank, right there in the spot, facing the orcs and cave trolls. It also shows the close relationship between Aragon, Gandalf, and Legolas and that Aragon can always count on them. New Line Cinema.
Image Source: Film-Grab

Because you’re “shooting dirty,” you establish a connection between the characters in the scene that wouldn’t exist if you had framed each character separately. Let’s look at some examples from movies…

Over-the-shoulder shots movie example analysis

Below is a brief analysis of a sequence of frames from the bamboo fight scene in the Wire Fu classic Crouching Tiger, Hidden Dragon (2000). It shows the effect an over-the-shoulder shot can have on a scene’s relationship.

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We start with a medium shot of Jen (Zhang Ziyi) looking for the chasing Li Mu Bai (Chow Yun-fat) in the bamboo forest in Crouching Tiger Hidden Dragon (2000). Sony Pictures Classics.
Image Source: Film-Grab
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Then, we have this single shot of Li Mu Bai appearing through the forest and explaining to Jen why he just let her go and not kill her in the prior fight. The full shot emphasizes that he’s in complete control of the situation.
Crouching Tiger Hidden Dragon (2000). Sony Pictures Classics.
Image Source: Film-Grab

By framing each actor apart, director Ang Lee shows that Jen and Li Mu Bai are still enemies. Also, framing Jen with a medium shot mixed up in branches and leaves, looking left, stresses that she’s in a hurry. Conversely, we get a full shot of Li Mu Bai from the front, patiently balancing on a swaying bamboo – free of branches- giving the frame a sense of calm and control.

Let’s continue…

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Then, we have this two-shot with a great distance between the two characters, but there’s a beginning connectedness since they’re both in the same frame. Again, Jen struggles in the bamboo while Li Mu Bay patiently looks backward, taking her abilities into account. Crouching Tiger, Hidden Dragon (2000). Sony Pictures Classics.
Image Source: Film-Grab
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Then, we have an extreme close-up of Jen as she’s eyeing Li Mu Bay. She looks defiant but intrigued, as if she’s realized she’s up against a better opponent. Crouching Tiger Hidden Dragon (2000). Sony Pictures Classics.
Image Source: Film-Grab
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Again, we have a two-shot, but Jen and Li Mu Bay are closer, with their swords drawn this time. It could look as if Jen has the upper hand as she holds the Green Destiny sword, and Li Mu Bay stands at the end of a bamboo. But he’s still in control. Crouching Tiger Hidden Dragon (2000). Sony Pictures Classics.
Image Source: Film-Grab
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And then, after landing on the river, we cut to an over-the-shoulder shot when Jen threatens to cut down Li Mu Bay, who patiently awaits with his sword behind his back. An intimate connection has been made. Jen is still defiant but intrigued, and Ang Lee uses an OTS to show that the two warriors have come to a mutual understanding of who the boss is. The question is, will Jen accept Li Mu Bay’s offer to become her teacher? Crouching Tiger, Hidden Dragon (2000). Sony Pictures Classics.
Image Source: Film-Grab

You can enjoy the entire sequence in the video below:

Summing Up

An over-the-shoulder (OTS) shot frames one character from behind the shoulder/head of another character. It’s used during dialogue scenes to:

  • Establish (spatial) relationships between speakers
  • Create psychological intimacy or tension
  • Maintain screen direction/orientation (when adhering to the 180-degree rule)
  • Give viewers a subjective perspective similar to being in the conversation

Over-the-shoulder shots are commonly used in two-person conversations, interrogations, intimate moments, or confrontations where power dynamics are important.

Up Next: The FilmDaft guide to camera shots, angles, and moves.

By Jan Sørup

Jan Sørup is a indie filmmaker, videographer and photographer from Denmark. He owns filmdaft.com and the Danish company Apertura, which produces video content for big companies in Denmark and Scandinavia. Jan has a background in music, has drawn webcomics, and is a former lecturer at the University of Copenhagen.

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