What is a Push In Shot in Film? Definition and Examples

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Published: June 7, 2024 | Last Updated: May 21, 2025

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push-in Shot Definition & Meaning

A push-in is a camera movement in which the camera moves closer to the subject instead of fx a zoom-in, in which the camera stays in the same position. It is often used to draw the audience’s attention to a particular detail, character, or object. It can create a sense of intimacy, emphasize a moment of realization, or heighten tension.

The purposes of a push in

A push-in can be used for several purposes:

  • To direct the viewers’ attention toward and highlight an important narrative element.
  • Make the audience feel more connected to a subject
  • Build suspense
  • Underline an emotional response

Speed and Gear

A push-in can be done with a handheld camera, a Steadicam, a dolly (dolly in), a boom, a crane, or a drone.

A push-in can be fast but is commonly done very subtly, sneakingly sucking us into the scene.

Here’s a great video from DPCinemaTalk discussing the use of push-in shots in the film, including some nice examples.

Summing Up

A push-in shot involves the camera moving closer to the subject. It is often used to draw the audience’s attention to a particular detail or to emphasize a significant moment. Several types of gear, such as a camera dolly, can be used to create it.

It can create a sense of intimacy, tension, or focus. For example, the camera might slowly push in on a character’s face in a dramatic scene to highlight their emotional reaction.

Read Next: Want to master how camera movement affects tone and pacing?


New to camera language? Start with our Camera Shots & Angles FAQ for quick answers and visual breakdowns.


Then explore all camera movement techniques — from tracking shots and whip pans to handheld, Steadicam, and crane setups.


Or return to the Cinematography section to dive into lenses, lighting, and visual composition.

By Jan Sørup

Jan Sørup is an indie filmmaker, videographer, and photographer from Denmark. He owns FilmDaft.com and the Danish company Apertura, which produces video content for big companies in Denmark and Scandinavia. Jan has a background in music, has drawn webcomics, and is a former lecturer at the University of Copenhagen.