Soft Focus in Photography& Film: How to Get that Dreamy Look

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Published: September 8, 2025 | Last Updated: September 17, 2025

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Smiling woman photographed through a soft, misty filter effect
Soft-focus portrait through translucent material uses light diffusion and pastel colors to flatten contrast and soften edges. The result is a gentle, relaxed image that feels light and airy.

How Soft Focus Works in Photography

Soft focus works by changing how light behaves inside the lens. Instead of forming perfect points of focus, the light spreads slightly, which reduces fine texture and gives the image a glowing look. The soft blur is created on purpose and can be controlled depending on how the lens or setup is used.

Some lenses are made to create this effect by introducing spherical aberration. Others use filters or post-processing to mimic the look. The result is a gentle haze that softens edges but keeps the subject readable.

How to Create and Control Soft Focus Effects

You can create soft focus with gear, homemade tools, or editing software. The method you use depends on your budget, subject, and how much control you want over the final result. Each technique has its own level of softness and visual impact.

Soft-focus lenses

You can get dedicated soft-focus lenses specifically designed to create blur through their optical properties. Some include adjustable settings for different levels of softness. Lensbaby Velvet lenses or the Trio 28 are good choices.

Here’s a video comparing the Lensbaby Velvet 85mm and the Twist 60.

With soft-focus lenses, stopping down the aperture reduces the effect. Wider apertures increase softness. Some specialty lenses include sieve discs or element spacing controls to fine-tune the aberration directly.

Some vintage lenses also have a soft-focus character. I can recommend the Helios 44-2, which creates a soft depth of field, not unlike some of the Lensbaby lenses.

Diffusion filters

Diffusion filters
I own the Tiffen Black Pro-Mist 1/4, which never leaves my Sigma 18-35mm lens. I also own the Moment CineBloom Diffusion 10% and 20%, which are also great filters when I want to have a less diffused look.

Lens filters like Tiffen Pro-Mist or Moment CineBloom are excellent choices for a more soft-focus look on modern cameras, which I often find a bit too sharp, especially for video work, but also if I want to achieve a more nostalgic, dreamy look in my photography.

The filters help reduce detail and scatter highlights. They’re easy to control and can be swapped out quickly. The Tiffen Pro Mist 1/4, for example, never leaves my Sigma 18-35mm lens.

DIY methods

Here’s a good video showing some of the DIY hacks you can use to achieve a soft-focus look.

Stretching sheer fabric (like pantyhose or gauze filters) over the lens or applying Vaseline to a clear UV filter can add haze. Always use a protective filter, not the lens itself, when you use the Vaseline trick!!! Also, note that it takes some practice to smear the Vaseline in a way that it looks cool on camera.

Post-processing

Here’s a tutorial on how to add a soft-focus look in Lightroom.

You can use editing software such as Lightroom or Photoshop to simulate soft focus using clarity sliders, highlight bloom, or glow effects. You can never achieve exactly the same organic look of a lens, but you can get fairly close.

And here’s a quick tutorial on how to add a soft-focus look in Photoshop.

When to Use Soft Focus in Photography

Soft focus is most useful when you want to soften small details and shift attention to shape, color, or emotion. It’s common in portrait, wedding, and creative photography, where mood matters more than texture. Below are examples of when soft focus helps the final image.

  • Portraits: Smooths skin, reduces blemishes, and gives a flattering look.
  • Weddings and romantic scenes: Adds glow and softens emotion-driven imagery.
  • Artistic styles: Useful in impressionistic photography or dreamlike visual series.
  • Nostalgic storytelling: Often used in flashbacks or memory sequences in film.

However, avoid soft focus when sharpness and clarity are essential. If you’re shooting products, technical subjects, or documentary work, you need clean focus and fine detail instead.

Soft Focus Examples in Film and Photography

Soft focus has been used for more than a century in both still photography and motion pictures. Artists use it to suggest memory, beauty, or emotion, especially in moments where sharp detail might distract from the subject’s feeling or mood.

Below are examples from both historical and modern work:

Julia Margaret Cameron

Soft-focus portrait of a young woman with long hair, her expression calm and serious. The image is intentionally blurred at the edges.
In Christabel (1866), Julia Margaret Cameron uses soft focus to guide attention toward the subject’s face while letting her hair and shoulders dissolve into shadow. The blurred edges and diffused light create a dreamy, emotional tone that mirrors Romantic painting. Image Credit: Julia Margaret Cameron / The Metropolitan Museum of Art

In the 1800s, Julia Margaret Cameron used soft focus to remove sharp details and direct attention to her subject’s face and expression. The blurred edges created a sense of intimacy and emotional depth, making her portraits feel timeless and personal.

Pictorialist photography

Soft-focus image of a forest at dusk, reflected in a dark pond with a faint glow of light through the trees.
In The Pond—Moonlight (1904), Edward Steichen uses soft focus and hand-layered gum bichromate printing to turn a photographic landscape into a painterly scene. The image blends Impressionist tone with Symbolist mystery, using blurred detail and subtle light to suggest mood over realism. Image Credit: Edward Steichen. Public Domain

In the early 1900s, Pictorialist photographers such as Edward Steichen, Gertrude Käsebier, and Clarence H. White used soft focus to mimic the look of Impressionist and Romantic painting. They blurred edges, reduced contrast, and manipulated light to create images that felt more like hand-made art than mechanical recordings.

Classic Hollywood cinema

Greta Garbo portrait with soft-focus glow, styled for Inspiration (1931)
Greta Garbo in a soft-focus studio portrait for Inspiration (1931) shows how gauze filters and diffused lighting shaped her signature glow. The effect softens skin texture and blends background shadows. Image Credit: Metro-Goldwyn-Mayer. Public Domain

Soft focus was widely used to shape the public image of 1930s–40s film stars and photographers. Greta Garbo’s signature “Garbo Glow” came from gauze filters and soft lighting used by cinematographer William H. Daniels.

Marlene Dietrich’s face was sculpted with soft focus and glamour lighting in films like Shanghai Express (1932). Joan Crawford’s early portraits by Ruth Harriet Louise at MGM used soft focus, though later work by George Hurrell adopted a sharper style.

Norma Shearer was also frequently photographed in soft focus by Louise to emphasize glamour.

Modern films

Soft focus is also used deliberately in modern film, especially for dream sequences, flashbacks, or when something has to be viewed as magical or ethereal. Here are two good examples from low and high-fantasy films.

The first is a flashback from Harry Potter and the Half-Blood Prince (2009), and the second from The Lord of the Rings: The Fellowship of the Ring (2001):

Soft-focus shot from Harry Potter and the Half-Blood Prince (2009).
Soft-focus shot from The Lord of the Rings: The Fellowship of the Ring (2001)

Summing Up

Soft focus is a controlled blur effect that reduces fine texture and contrast while keeping the subject visible and readable. It works through optical aberration, diffusion, or post-production tools. Used well, it adds emotion, smoothness, and atmosphere, especially in portraits and cinematic scenes. The key is balance: soften without losing structure.

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By Jan Sørup

Jan Sørup is an indie filmmaker, videographer, and photographer from Denmark. He owns FilmDaft.com and the Danish company Apertura, which produces video content for big companies in Denmark and Scandinavia. Jan has a background in music, has drawn webcomics, and is a former lecturer at the University of Copenhagen.