Published: April 2, 2025 | Last Updated: April 11, 2025
A film editor is responsible for shaping the final version of a film by assembling footage into coherent, emotionally compelling sequences. The editor controls rhythm, timing, and narrative flow, working closely with the director during post-production to tell the story frame by frame.
Sure, you can go to film school and study editing, but one thing is theory – another is experience from actually getting your hands dirty.
In my opinion, getting good at editing is a learning-by-doing process. You can pick up the film grammar and theory on your own. I also recommend you read Introduction to Video Editing: Types & Techniques.
Below are some steps you can take to become a film editor.
Step 1: Study how films are cut
Before editing anything, study how edits work. Watch films with the sound off. Go frame by frame through key scenes. Ask yourself:
- Why did the cut happen here?
- What emotion does this pacing create?
- How does the edit handle continuity, rhythm, or spatial clarity?
Start comparing well-edited sequences with awkward or clumsy ones. That contrast teaches you what not to do. Look closely at moments where edits feel invisible—and when they’re meant to be felt.
Step 2: Learn editing software
There’s no single “best” editing program, but you must be fluent in at least one industry-standard NLE (non-linear editor). Most professionals use:
- Avid Media Composer: Still standard in broadcast and feature film post houses
- Adobe Premiere Pro: Used across commercial, indie, and digital content
- DaVinci Resolve: Gaining traction for editing and color grading in one tool
- Final Cut Pro: Popular among solo editors and Mac-based productions
Beginners can practice using free editing software like HitFilm or Resolve’s free version. Serious work means switching to pro tools early—because shortcuts, workflows, and file handling differ at the higher levels.
Step 3: Start cutting anything
Edit a music video. Cut a student short. Re-edit an existing scene just for practice. Don’t wait for the “right” project. Your first work won’t be perfect—and that’s the point. Focus on flow, tone, and how images connect emotionally.
Every editor learns by doing. You’ll start seeing the effects of cutting a few frames too early—or too late. You’ll learn how music or silence changes a scene’s impact. You’ll figure out when to cut on action, when to hold, and how to use rhythm to build suspense or release.
Step 4: Learn to read footage
Good editors don’t just cut—they choose the right take, angle, and moment. Start reviewing uncut footage (raw rushes, dailies, multicam projects) and practice building scenes from scratch. Learn how to build coverage into story.
This skill is essential if you ever want to work professionally. Editors often make a director’s shot list work even when it’s incomplete—or find gold in a line delivery no one noticed on set.
Step 5: Understand film grammar
You need to know how scenes are built. That means understanding:
- Match cuts: For visual or thematic continuity
- Reaction shots: For emotional timing
- J and L cuts: For smoother dialogue transitions. Here’s a guide on how to do this in Adobe Premiere Pro.
- Montage: For compression and visual rhythm
- Cross-cutting: For tension or contrast
Watch scenes from editors like Thelma Schoonmaker, Walter Murch, and Lee Smith. Study how they use rhythm, perspective, and silence—not just flashy transitions.
There are also online editing courses you can take, if you like, but those cost money.
Step 6: Build your reel and connect
Every editor needs a reel—but it’s not just a montage of flashy shots. Show narrative clarity, tone control, and clean pacing. Include full scenes if possible. Short films, spec work, branded content—anything that demonstrates your ability to hold attention and shape emotion.
To find work, start as an assistant editor, freelance editor for YouTube content or companies, or join post houses as a junior.
Learn to prep timelines, sync footage, organize bins, and handle file exports (here’s a guide for creating high-quality video with small file sizes in Premiere Pro).
These skills matter as much as the edit itself, early on.
Summing up
Becoming a film editor takes technical practice, strong storytelling instincts, and a sharp eye for detail. Start by cutting anything you can. Learn the tools. Study the pacing of great scenes. And remember—good editors aren’t just technicians. They’re the final storytellers in the process.
Read Next: What is Kinetic Editing?
