What is Lens Distortion? Understanding Types, Causes & Artistic Choices

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Published: January 12, 2025 | Last Updated: May 21, 2025

Understanding the different types of lens distortion can help you control how it affects your shots, or even use it to your advantage. Let’s break it down.

Types of Lens Distortion

Lens distortion usually falls into three main categories: barrel, pincushion, and moustache. Each has a unique effect on the image.

Lens Distortion Types

Barrel Distortion

Barrel distortion occurs when lines curve outward from the center, resembling a barrel. This is most common in wide-angle lenses, where the field of view is so broad that edges stretch outwards. A classic example is a fisheye lens, where the distortion is extreme and deliberate to capture a 180° field of view.

Pincushion Distortion

Pincushion distortion is the opposite: lines curve inward toward the middle of the image. This is more typical of telephoto lenses, where magnification at the edges pinches the image. Architectural shots or landscape photos can show this if lines that should be straight appear slightly concave.

Moustache (Wave) Distortion

Moustache distortion is a complex mix of barrel and pincushion. Straight lines bend one way, then reverse, like the handlebars of a moustache. It’s mostly seen in ultra-wide and some older zoom lenses. It’s also the hardest to correct in post, often requiring custom profiles.

What Causes Lens Distortion?

Lens distortion is a side effect of how lenses project a three-dimensional scene onto a flat sensor. The main causes are:

  • Focal Length and Field of View: Wide-angle lenses capture a lot of space, stretching lines outward. Telephoto lenses do the opposite, pinching lines inward.
  • Lens Complexity: Zoom lenses, especially with large focal ranges, tend to show different types of distortion at different zoom levels.
  • Optical Design Trade-offs: Lens designers sometimes prioritize correcting chromatic aberrations or blurring over eliminating distortion entirely.

Lens Distortion in Photography and Cinematography

In photography and cinematography, lens distortion can be a flaw or a stylistic choice, depending on the intention.

Architecture and Interiors

Fish eye lens barrel distortion
This shot of New York City is captured using a fisheye lens, creating extreme barrel distortion. The buildings curve dramatically towards the edges, and the light trails bend in circular patterns, emphasizing the warped perspective. Fisheye lenses intentionally create this effect to achieve a super-wide field of view, compressing vast cityscapes into a single frame while distorting straight lines into curves. This lens choice gives the image a surreal, almost otherworldly look.

Distortion is often undesirable. Bowing walls or skewed window frames look unprofessional, so photographers tend to correct this in post or use rectilinear lenses.

Portraits and Group Shots

Wide-angle lenses can exaggerate features or make people at the edge of the frame appear stretched. Cinematographers generally avoid wide lenses for close-ups unless it’s a stylistic choice.

Landscapes and Nature

Curved horizons are less noticeable unless they’re extreme. In panorama stitching, distortion might need correction to align horizons.

Distorted Wide Shots in Film

There are many examples of directors using lens distortion creatively, but one of the most prominent is Terry Gilliam.

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Terry Gilliam’s use of wide-angle lenses warps perspective. The stretched foreground and curved background (notice the horizontal lines) create a sense of unease and surrealism, matching the film’s chaotic energy. Image Credit: Fear and Loathing in Las Vegas (1998, Universal Pictures)

Terry Gilliam intentionally uses wide-angle lenses for their surreal, immersive distortion. This technique makes scenes feel exaggerated and off-kilter, fitting his style perfectly.

Flaw or Feature?

Lens distortion isn’t always a flaw. In architecture or product photography, it’s undesirable because straight lines need to stay straight. But in creative projects, distortion can be part of the look.

Vintage anamorphic lenses, for example, are valued for their curved edges and stretched backgrounds. In films like Bridge of Spies (2015), the slightly warped lines of vintage lenses added to the film’s 1970s aesthetic.

Managing Lens Distortion

If distortion isn’t your goal, you can manage it easily:

  • In-Camera Corrections: Most modern cameras auto-correct for known lens distortions.
  • Post-Processing: Software like Lightroom and Photoshop can fix distortion with a single click.
  • Lens Choices: Rectilinear lenses keep lines straight, while wide-angles (like fish-eye lenses) tend to distort. Some wide-angle lenses are rectilinear, though. If this is important to you, I recommend you test the lens first.
  • Embrace It: Sometimes, distortion adds character. Fisheye lenses, for instance, are all about embracing that warp.

Summing Up

Lens distortion is an optical imperfection that makes straight lines appear curved in your shot. There are three main types: barrel distortion (lines curve outward), pincushion distortion (lines curve inward), and moustache distortion (a wavy mix of both).

While often considered a flaw in architectural or product photography, distortion can be an artistic choice in filmmaking. Directors like Terry Gilliam use wide-angle lenses intentionally for their surreal, exaggerated look. Whether you want to fix it in post or lean into its character, understanding lens distortion helps you control the visual impact of your shots.

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Browse all lens-related articles, from focal length and bokeh to distortion, compression, and more.


Looking for a broader context? Visit the Cinematography section for composition, movement, and lighting techniques.

By Jan Sørup

Jan Sørup is a indie filmmaker, videographer and photographer from Denmark. He owns filmdaft.com and the Danish company Apertura, which produces video content for big companies in Denmark and Scandinavia. Jan has a background in music, has drawn webcomics, and is a former lecturer at the University of Copenhagen.