What Is Art Nouveau? Definition, Style, Artists & Film Influence

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Published: June 10, 2019 | Last Updated: June 11, 2025

Historical Context and Origins

Art Nouveau exhibition poster featuring a peacock, flowers, and decorative lettering
This 1894 poster by Émile André and Alfred Martin promoted the Exposition d’Art Décoratif in Nancy, a center of French Art Nouveau. Its stylized peacock, curved typography, and botanical patterns show the era’s integration of nature into graphic design.

Art Nouveau formed at the end of the 19th century as a reaction against academic historicism and industrial mass production. Artists and designers wanted to reconnect beauty and function by creating a style that unified architecture, furniture, graphic design, and fine art.

The name came from the Paris gallery Maison de l’Art Nouveau, though the style developed across Europe under different names, including Jugendstil in Germany, Reformstil (reform style) in Denmark, and the Vienna Secession in Austria.

The movement aligned with Symbolism and Arts and Crafts, but placed more stress on stylized elegance and surface design. Artists drew on organic subjects (such as flowers, insects, and waves) and arranged them into fluid, rhythmic compositions that favored asymmetry and abstraction.

Visual Traits of Art Nouveau

Art Nouveau poster by Alfons Maria Mucha featuring Sarah Bernhardt in an ornate robe with floral crown
Alfons Maria Mucha’s 1894 poster for Gismonda marked the beginning of his collaboration with Sarah Bernhardt and defined his Art Nouveau style. The composition uses elongated proportions, gold ornament, and Byzantine-inspired lettering to frame Bernhardt as both actress and icon.

Art Nouveau design centered on curving lines, flattened forms, and repeated natural patterns. Botanicals appeared in nearly every medium, from Alphonse Mucha’s illustrations to carved wood furniture and stained glass windows.

Designers used new industrial materials like iron and glass to create works that felt hand-drawn but modern.

Art Nouveau glass-and-iron Paris Métro entrance with curved canopy and “Metropolitain” sign
Hector Guimard designed this Art Nouveau entrance for the Abbesses station in Paris around 1900. Its cast iron structure, glass canopy, and stylized lettering turned public transit into ornamental urban design. Image Credit: Iste Praetor, CC BY-SA 3.0 https://creativecommons.org/licenses/by-sa/3.0, via Wikimedia Commons

Architectural details often followed a principle of total design, where every structural element and decorative surface shared the same style. Scrollwork, vines, and female figures flowed across posters, railings, and wallpaper, linking separate media through shared motifs.

Artists and Architects

A couple wrapped in golden robes, kissing on a bed of flowers, painted in Klimt’s decorative Art Nouveau style
Gustav Klimt’s The Kiss (1907–1908) blends Symbolist intimacy with Art Nouveau pattern. Gold leaf, spirals, and mosaic textures create a surface that merges the figures into a single ornamental form.

Alphonse Mucha’s posters helped define the style’s graphic presence. His women with floral halos and flowing hair became international icons, reproduced on ads, calendars, and product labels.

In Vienna, Gustav Klimt fused Symbolist subjects with flat patterns and gilded forms, especially in The Kiss (1907–1908).

Victor Horta, Hector Guimard, and Antoni Gaudí reshaped modern architecture with buildings that curved, rippled, or twisted. Horta’s interiors used light, space, and cast-iron forms to soften traditional rooms. Guimard’s Paris Métro entrances (1900) turned public signage into ornament.

Gaudí’s Casa Batlló (1906) sculpted bone-like balconies and tiled rooflines into a unified organic structure:

Ornate Art Nouveau façade of Casa Batlló in Barcelona, with curved balconies, mosaic walls, and organic rooflines
Antoni Gaudí’s Casa Batlló (1906) transforms an urban residence into a sculptural façade of colored tile, bone-shaped balconies, and dragon-scale roofing. Its asymmetrical design and organic forms make it one of the most famous buildings of the Art Nouveau period. Image Credit: Iste Praetor, CC BY-SA 3.0 https://creativecommons.org/licenses/by-sa/3.0, via Wikimedia Commons

Furniture and Decorative Arts

Art Nouveau also reshaped interiors and furniture. Charles Rennie Mackintosh used stylized floral motifs and precise geometry in his chairs and stained glass designs. Émile Gallé and Louis Comfort Tiffany developed new techniques in marquetry and glasswork to depict dragonflies, water lilies, and tree branches.

The emphasis on handcraft, though decorative, still allowed Art Nouveau to explore modern materials. Even mass-produced wallpaper and tile patterns followed the same visual language of symmetry, fluidity, and floral abstraction.

Influence on Film and Animation

Lavish bedroom with heart-shaped mirror, red drapery, and gold ornament as Satine and Christian embrace
The heart-shaped mirror and gold latticework in the Elephant Room scene from Moulin Rouge! (2001, 20th Century Fox) show the film’s Art Nouveau influences. Curved furniture, stained glass motifs, and organic forms create a theatrical space rooted in early 1900s decorative design. Image Credit: 20th Century Fox.

Though Art Nouveau ended by the 1910s, its influence reached film design decades later. The sets of Moulin Rouge! (2001, 20th Century Fox) used curving metalwork, saturated colors, and fluid silhouettes to recreate turn-of-the-century Montmartre.

The animated interiors of Studio Ghibli’s Howl’s Moving Castle (2004, Toho) used swirling patterns, decorative stairs, and asymmetrical rooms that echoed both Gaudí and Mucha.

Animated hat shop with floral wallpaper, ornate furniture, and curved shapes in green and purple tones
Sophie’s hat shop in Howl’s Moving Castle (2004, Toho) reflects Art Nouveau influence through stylized floral wallpaper, curved furniture, and saturated jewel tones. The room’s decorative unity mirrors the movement’s approach to total design. Image Credit: Studio Ghibli.

Art Nouveau’s detailed surfaces and romantic curves also made it a reference point for fantasy and gothic worlds. Its visual excess felt immersive without relying on realism, which made it useful in genre design for films that needed symbolic or ornamental space.

Decline and Legacy

Decorative painting with nude female figures, golden patterns, and a large beast from Klimt’s Beethoven Frieze
Gustav Klimt’s Beethoven Frieze (1902) blends Symbolism with Art Nouveau ornament. Created for the Vienna Secession. This section of the frieze shows allegorical female figures and a monstrous beast, wrapped in gold, pattern, and abstraction.

By 1910, Art Nouveau fell out of fashion. Art Deco and early Modernist movements rejected its stylization in favor of geometry and functional clarity. The complexity of Art Nouveau made it difficult to industrialize, and critics dismissed it as decorative excess.

Still, its legacy appears across modern design. Later revivals in the 1960s and 1990s picked up its floral curves and typography. In cinema, fashion, graphic novels, and animation, the style remains a source of influence when visual rhythm, elegance, or stylized nature are key to the world being built.

Summing Up

Art Nouveau brought curving lines, organic patterns, and total design into art, architecture, and applied objects between 1890 and 1910. It spread across Europe under different names but shared a core commitment to natural motifs, stylized surfaces, and visual harmony. Though short-lived, the style continues to influence design and film through its decorative approach to structure, space, and ornament.

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By Jan Sørup

Jan Sørup is a indie filmmaker, videographer and photographer from Denmark. He owns filmdaft.com and the Danish company Apertura, which produces video content for big companies in Denmark and Scandinavia. Jan has a background in music, has drawn webcomics, and is a former lecturer at the University of Copenhagen.