What is an Over-the-Hip Shot in Film? Definition & Examples

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Published: October 4, 2024 | Last Updated: December 3, 2024

Over-the-Hip Shot Definition & Meaning

An over-the-hip shot (OTH) is a framing technique that captures a character’s perspective from behind. It focuses on the scene in front of the character while including the character’s hip and sometimes the lower part of their body in the foreground. As it places the viewer near the center of the character’s body, it is often used in confrontation, anticipation, or contemplation. The classic cowboy shot from Westerns is a great example, but many other variations and use cases exist.

When to Use an Over-the-Hip Shot

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Here’s a great immersive example of how the classic cowboy/American over-the-hip shot puts us in the middle of the action. The shot is from A Fistful of Dollars (1964). United Artists.
Image Source: Film-Grab.com

The primary purpose of an over-the-hip shot is to create a sense of immersion, anticipation/tension, or intimacy.

Creating immersion and tension

Over-the-hip shots are good in scenes with tension, conflict, or decision-making, as viewers are invited to witness the events from the character’s point of view. This creates a sense of immersion.

The framing emphasizes the character’s presence in the scene while allowing us to see the environment (the setting) and the actions occurring before them. This puts up in the same spot as the character:

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Over-the-hip shots don’t always have to be from behind (or showing the behind) of a character. They’re quite effective from the front, as seen in this example from The Good, The Bad, and the Ugly (1966). United Artists.
Image Source: Film-Grab.com

Including the character’s hip in the frame also adds a physical presence that underscores their motivations and actions. The example above shows how the foreground character is dying to pick up that shotgun.

Exploring Power Imbalances

Over-the-hip shots are great for exploring themes such as power. They can show a power imbalance, for example, if one person is standing and the other is kneeling or sitting. Depending on the context, the person in power can either sit (“I don’t need to get up for this”) or stand.

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This over-the-hip (butt) shot example from Secretary (2002) shows the BDSM power (im-)balance between the submissive and masochistic Lee and the dominant and sadistic Mr. Grey. However, showing Maggie Gyllenhaal’s behind in this way also shows how she holds an erotic power over Mr. Grey. Lionsgate.
Image Source: Film-Grab.com

Creating intimacy

Over-the-hip shots are also good for creating intimacy. After all, we’re shooting from the point of view of a character’s nether regions.

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This over-the-hip shot from The Dreamers (2003) reveals Isabelle and Theo’s incestuous, intimate brother-sister relationship and Matthew’s astonished reaction. Searchlight Pictures.
Image Source: Film-Grab.com

Over-the-Hip Shot Composition

In terms of visual composition, over-the-hip shots require careful attention to depth and focus: do you want to focus on the foreground or the background? Or maybe use a rack focus?

In that way, it is similar to an over-the-shoulder shot. But you have a character’s hip instead of the shoulder in the foreground.

Up Next: The Ultimate Guide to Camera Angles, Shots, and Movements.

By Jan Sørup

Jan Sørup is a indie filmmaker, videographer and photographer from Denmark. He owns filmdaft.com and the Danish company Apertura, which produces video content for big companies in Denmark and Scandinavia. Jan has a background in music, has drawn webcomics, and is a former lecturer at the University of Copenhagen.

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