What Is Expressionism in Art? Definition, Artists & Legacy

What is Expressionism in art and film Definition and examples featured image
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Published: June 5, 2024 | Last Updated: June 5, 2025

Origins and Historical Context

Black-and-white drawing of a grieving woman holding a dead child by Käthe Kollwitz
Käthe Kollwitz’s Woman with Dead Child (1903) is often seen as a precursor to Expressionism. Though she wasn’t part of the Die Brücke or Der Blaue Reiter groups, her work shares core Expressionist values: emotional intensity, distortion of form for psychological effect, and rejection of academic beauty. The figures are compressed, the lines are rough, and the emotion is stark and unfiltered. Kollwitz distorts proportion to heighten grief, turning private loss into something universal and physical.

Expressionism emerged from social unrest and rapid urbanization. The movement gained momentum before World War I and reached its peak during the war years.

The movement’s development followed two main paths: Die Brücke, founded in Dresden in 1905 by Ernst Ludwig Kirchner, and Der Blaue Reiter, established in Munich in 1911 by Wassily Kandinsky and Franz Marc.

Both groups rejected academic rules and naturalistic painting. They used bold outlines, flattened space, and unnatural colors to express psychological and spiritual ideas. Their influences included Vincent van Gogh’s brushwork, Edvard Munch’s emotional gravity, and Symbolist interest in the subconscious.

Figure on a bridge clutching their face, surrounded by swirling sky and distorted forms
Munch captures raw emotion in a single wail. The sky twists like nerves, and the world bends under the weight of anxiety.

While both groups rejected realism, Die Brücke was more direct and confrontational, and Der Blaue Reiter was more visionary and idealistic. Die Brücke focused on urban life, human figures, and psychological tension. Its artists used harsh colors and jagged lines to show anxiety and raw emotion. In contrast, Der Blaue Reiter explored spiritual themes through abstraction, symbolic color, and the representation of nature.

In 1933, the Nazi government banned Expressionism as “degenerate art.” Works were removed from museums, destroyed, or hidden. Some artists went into exile, while others continued to paint in secret. Despite the crackdown, Expressionism left a lasting mark on visual art, cinema, literature, and design.

Key Visual Features

Painting of three blue horses in a colorful landscape by Franz Marc
Franz Marc’s The Large Blue Horses (1911) blends animal forms with color symbolism. The horses curve into each other like a single organism, painted in rich cobalt to suggest purity and emotion.

Expressionist artists used jagged outlines, warped figures, and exaggerated scale. Faces often looked skeletal or pained. They stripped away detail to focus on rhythm, mood, and raw sensation. Buildings tilted at odd angles. Space felt unstable.

Color was symbolic, not realistic, reds for anger, greens for decay, blues for detachment. Paintings often lacked perspective. Space collapsed into surface.

Expressionist cityscape showing yellow buildings and trams by Kirchner
Kirchner’s Nollendorfplatz (1912) warps Berlin’s urban center with vibrating lines and lurid color. The painting captures the anxiety of modern crowds and industrial rhythm.

Brushwork was loose, urgent, and visible. Artists painted fast to capture emotional states. Subjects included street scenes, isolated figures, and crowded interiors. Many works reflected anxiety, alienation, or spiritual doubt. Others explored violence, eroticism, or death with a sense of moral unease.

Key Artists

Beyond Kirchner, Kandinsky, and Marc, Expressionism included Otto Dix, Egon Schiele, George Grosz, Max Beckmann, Emil Nolde, and Ludwig Meidner. Their subjects ranged from urban poverty to war trauma.

Schiele focused on isolation and sexuality. Grosz and Dix exposed the brutality of modern society through satire and grotesque imagery. Beckmann created dense, multi-figure scenes full of anxiety and surreal detail.

Black-and-white photo of Ludwig and Else Meidner standing in front of expressive figure drawings.
Ludwig and Else Meidner pictured with a backdrop of expressive figure drawings. Ludwig Meidner was part of the second wave of German Expressionism, known for his apocalyptic cityscapes and urgent, visionary portraits. His work captured the inner strain of modern life before and after World War I. Image Credit: Ludwig Meidner-Archiv, Jüdisches Museum Frankfurt, CC BY-SA 3.0 https://creativecommons.org/licenses/by-sa/3.0, via Wikimedia Commons

Some artists, like Nolde and Meidner, used religious themes and apocalyptic visions. Others explored private emotion through portraiture or still life. Their work helped pave the way for later movements, such as Abstract Expressionism and Neo-Expressionism.

Expressionist Film and Set Design

German cinema translated the expressive, emotional paintings into a visual style and movement called German Expressionism. Directors and designers used light, shadow, and stylized architecture to reflect emotional states. The Cabinet of Dr. Caligari (1920, Decla-Bioscop) became the movement’s most iconic film. Painted shadows, jagged sets, and twisted geometry turned psychological tension into visual design.

Other films, like Nosferatu (1922, Prana Film) and Metropolis (1927, UFA), used stylized sets and shadow to build dread and alienation. Expressionism played a significant role in shaping the horror, noir, and dystopian genres. It also influenced lighting techniques and production design across decades of filmmaking.

Legacy and Influence

Expressionism faded as a unified movement after 1933, but its methods carried into later art. In the 1940s and 1950s, Abstract Expressionism picked up the focus on gesture, emotion, and inner truth.

Artists like Jackson Pollock and Willem de Kooning broke forms apart to reflect psychological states. Neo-Expressionism revived figuration in the 1980s with raw paint and personal symbolism.

Abstract Expressionist drip painting covering a massive canvas with layered splashes and lines
New York, USA – May 25, 2018: Visitors look at the painting One: Number 31, 1950 by Jackson Pollock in the Museum of Modern Art in New York City. Image Credit: Bumble Dee – stock.adobe.com

In cinema, Expressionist techniques shaped the shadows of film noir and the unease of modern horror. Production designers still reference its off-kilter spaces and stylized sets when building visual worlds that mirror the mind.

Theatrical staging, graphic novels, and animation all show Expressionism’s influence through distortion, atmosphere, and subjective framing.

Summing Up

Expressionism reshaped visual art by putting emotional truth before realistic form. Artists distorted figures, flattened space, and used intense color to show what could not be explained in words. In painting, film, and design, their work challenged how people see the world.

Even after political repression and artistic shifts, the core idea remains: emotion can be architecture, and image can carry the weight of feeling.

Read Next: Curious how art movements shaped film?


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By Jan Sørup

Jan Sørup is a indie filmmaker, videographer and photographer from Denmark. He owns filmdaft.com and the Danish company Apertura, which produces video content for big companies in Denmark and Scandinavia. Jan has a background in music, has drawn webcomics, and is a former lecturer at the University of Copenhagen.