Definition: The term “acousmêtre” was popularized by French film theorist Michel Chion and refers to a specific type of sound presence, typically a voice that emanates from an unseen source within the film’s narrative space. The concept is particularly significant in studying film sound and how audio can influence the audience’s perception and imagination. L’acousmêtre… Continue reading L’acousmêtre: Meaning, Definition & Examples from Film
sound design
Acousmatic Sound in Film. Definition, Meaning & Examples.
Acousmatic sound in movies originates from unseen sources in a scene. It stimulates the audience’s imagination, creates tension, and enriches the film’s sonic landscape without revealing the sound’s direct cause or origin on screen. Sound designers deliberately use acousmatic sounds to create context, establish a mood, and provide audible cues about the narrative. Introduction: The… Continue reading Acousmatic Sound in Film. Definition, Meaning & Examples.
Interview With Danish Sound Designer And Composer Michael Manky
Top photo credit: Sofa T As I was doing the final edit to my short film VECTØR, I was thinking a lot about the next stage, i.e. sound design. I had already licensed a couple of tracks that I liked that I felt worked very well within the context, but I still felt it needed… Continue reading Interview With Danish Sound Designer And Composer Michael Manky
Interview With Sound Designer Peter Albrechtsen
Featured Image credit: Povl Thomsen Danish Sound Designer Peter Albrechtsen has worked professionally in feature films, documentaries, and television for more than 20 years. He has worked on The Cave, The Idealist, The Killing of Two Lovers, Dunkirk, Antichrist, and many more. You can see his full filmography here. In this interview, I talk to… Continue reading Interview With Sound Designer Peter Albrechtsen
What are Diegetic & Non-Diegetic Sound in Film? Definition & Examples
DIEGETIC & NON-DIEGETIC SOUND DEFINITION AND MEANING Diegetic sound/music originates from sources visible or implied within the film’s story world (the diegesis) – characters can hear it (e.g., a radio playing in a scene, footsteps, dialogue, a street musician performing). Non-diegetic sound/music exists outside the story world – only the audience can hear it (e.g.,… Continue reading What are Diegetic & Non-Diegetic Sound in Film? Definition & Examples