Guide: Best Professional Camera Sliders For Any Budget


If you’re a videographer or filmmaker looking for a steady shot or to add more camera moves to your repertoire, chances are you’ve considered purchasing a slider.

Camera sliders are an incredible tool, and the variety of options out there means they are accessible for filmmakers across the board.

That being said, the variety of options when it comes to camera sliders also means that it is easy to get lost. Especially with a piece of gear that can appear as simple as a slider, it’s difficult to know what exactly you are gaining when you spend your money.

Tip: If you already know everything about sliders, and just want to jump directly to my recommended sliders, you can click here.

Many times, sliders are wrongly put in competition with other stabilizers such as Steadicams and gimbals.

However, sliders offer many unique strengths that aren’t found with other pieces of gear, from allowing you to pull focus to the ability to have a motorized tracking shot.

There are also plenty of creative usages you can use sliders for, such as mimicking crane shots, making sliders a much more versatile tool than the name implies.

In this article, I will provide a complete look at the benefits of using a slider, how to use your slider, and what to look for when purchasing one.

I will also include some creative methods of using a slider you may never have thought of before listing 10 great options.

Sliders require practice, and should be applied only when necessary, but if you are looking to take your filmmaking to the next level a slider is an essential part of a complete gear list.

Contents show

Why Should You Use A Slider?

A table dolly is an inexpensive and portable slider alternative that can be used as a slider on stable surfaces such as a table or a floor.

Sliders are a great way to get nice looking stabilized footage.

Sliders are especially useful in establishing shots or reveal as a narrative filmmaker, and in documentary filmmaking, they are commonly seen in interviews, b-roll, and time-lapse footage.

The variety of shots you can achieve is limited only to your creativity.

A tripod or two will allow you to put your slider at an angle, or even vertical, and a fluid head mount lets you pan and tilt the camera as well.

Because of this expanded movement, with a slider, you can achieve for more shots than simply a horizontal tracking shot or a simple push in or pull out.

A Camera Slider Allows For Many Creative Types of Shots

When using a slider with a fluid head mount, you can adjust pan, tilt, and focus while moving the camera smoothly with practice.

Whereas adjusting focus with a gimbal isn’t always an option, may be mechanized, or require a second camera operator, doing so with a slider is entirely possible with a crew of one.

Furthermore, devices and motors exist to create a mechanized pan. Though we will cover this later, sliders with built-in motors, drive-belts, and cranks are all options to create the smoothest tracking shot possible.

If you want to add smooth movement to your shots, sliders are a must. Especially for the independent filmmaker who is operating with a small crew, using a slider with practice is one of the most efficient ways to create exciting and kinetic shots.

As with any piece of camera gear, sliders exist to help you as a filmmaker tell your story.

By adding new camera moves and opening your filmmaking up to a variety of new shots though, sliders can inspire us to be more ambitious with our content and achieve a level of production that makes us proud.

The Pros and Cons of Using a Slider vs a Gimbal

As I mentioned before, sliders are often wrongfully compared to other stabilization methods out there. Though you can achieve a smooth tracking shot with a motorized gimbal, the times to use one versus a slider depend heavily on context.

Sliders are often around only a meter in length. Therefore, you’re not going to achieve long tracking shots (when a gimbal would be useful).

However, for settings such as interviews or establishing shots, where you want to rack focus or reveal a subject, sliders excel.

Unlike gimbals, which require precise balance and often leave you unable to manually adjust focus, with practice you can rack focus while moving the camera on a slider. This can greatly increase the type of movements available to you.

What To Look For When Buying A Slider

Depending on what you hope to use your slider for, the main specs to consider outside of price include the material, the length, your lens options, the feet, crank belts, motorization, and different types of mounts.

It is also important to understand what you want to use your slider for. What is the type of filmmaking you typically do, and what do you hope your slider will offer you as a filmmaker?

The Material and Weight of Your Slider

Sliders are primarily made out of four different materials; carbon fiber, aluminum, steel, and an aluminum/steel compound. These materials not only affect the durability, but also the weight of the slider.

For some filmmakers, the weight won’t be an issue. If you shoot in controlled settings that are easily accessible, a carbon fiber slider might not make a huge difference.

However, if you’re hiking into the backcountry to do nature photography, carrying a steel slider, and most likely a tripod to accompany it, it may cause you to regret your decision.

A carbon fiber slider can weigh as little as one kilogram (such as the 30cm Neewer Carbon Fiber Camera Slider (link to Amazon)), making them extremely applicable in remote settings.

However, be sure to double-check the load capacity since these lightweight models may be insufficient to carry much more than your standard DSLR.

The material of the slider also often affects how smooth it is. Though light and still useful, oftentimes carbon fiber won’t be as smooth as steel or aluminum.

Finally, if you plan on using a motor the load capacity will vary, as will your ability to adjust the incline. We will discuss motorized sliders later on.

Ideal Slider Length and Travel Distance

Another important consideration when purchasing a slider is the length.

The first obvious impact of length is weight and portability.

If you’re traveling you might want a short slider, which can easily fit in your backpack. Certain sliders, such as the Zeapon Micro 2 on Amazon, extend as you track, offering double the distance of the length.

But the second obvious impact of the length of the slider is the range of movement you will receive. Here you need to decide between portability and versatility. Especially when you apply more creative uses to your slider, shorter lengths can be inhibiting.

For example, if you attach your slider to a tripod and swing it to mimic a crane shot, a 30cm slider will not look as impressive as a meter-long slider.

If you’re using a meter-long slider, you may also need more gear to use it to its full ability.

Longer Sliders Require a Stable Base

Unless you’ll always be using a table, two tripods will be required in order to properly mount the slider and use its full range of motion without tipping over.

Especially if you’re working with a heavy camera, take caution to make sure your tripod and slider won’t tip over.

Whereas a shorter tripod can be mounted easily on one tripod, or in unique locations like a bookshelf, a lengthy tripod is more limited in terms of where it can be set up as well.

The Length of a Slider Affects the Type of Lenses You Can Use

The length of the tripod also may affect what kind of lenses you use.

Wide-angle lenses are difficult to do push-ins and pull-outs due to their greater field of view.

However, wide-angle lenses also give the illusion of more motion since the image isn’t compressed.

Conversely, a telephoto lens on a slider will compress the field of view and make any motion in dolly shots less dramatic.

The problem with wide-angle lenses on a longer slider is that you risk getting the slider in the shot. This is where having a fluid head (between the slider and the slider base) comes in handy.

Sliders and Fluid Heads

If you want to push in on a fixed slider, you may need to use a telephoto lens or have a head-mounted on it to increase the distance you can move before the slider comes into view.

Having a fluid head mount (between the slider and the camera) will add some much-needed inches to separate the camera from the slider.

Having a tripod head is extremely beneficial and allows you greater usage. The added height on the slider means your wide-angle lenses have an increased range of motion until the slider will come into view.

Tripod heads also offer much more control while you’re using your slider.

Being able to combine horizontal motion with a pan or tilt helps significantly, and the handle on a fluid video head makes a smoot shot much easier to achieve.

Some sliders, such as the Zeapon Micro 2 on Amazon, extends while you’re moving the camera. Therefore, you can use a wide-angle lens and push in without seeing the track.

The Feet and Setting Up Your Slider on Different Surfaces

Another important facet of selecting any slider is the feet. This affects how and where you can set up your slider.

If you intend to mount your slider on one or two tripods the feet will not be used. However, if you’re taking your slider on the go and mounting it on uneven surfaces such as logs or rocks, the feet will play an important part.

Many sliders have fixed rubber stoppers for their feet. If we look at the GVM Motorized Slider here on Amazon, for example, there are four rubber balls that can extend but not rotate.

This is helpful for use on a table, or a flat surface that may be minorly uneven, but something more extreme such as a boulder will be hard to make work.

Now, if we look at the Neewer 80cm Carbon Fiber Slider (link to Amazon), there are adjustable and secured legs that can adjust from 8.5 to 10cm, allowing a large scale of adjustment.

Removable and foldable legs are often very helpful, provide for great control, and make leveling easy.

Motorization, Fly Wheels, and Drive Belts

Motorization, crank belts, and flywheels are all different methods of mechanization that sliders employ to help achieve the smoothest shot.

Though it is possible to get a slider for a cheaper price, these features are instrumental and can allow you to get great time-lapse footage, or also add a second camera on an interview with movement without a second camera operator.

So they’re a great option if you’re a single shooter.

Motorization is an autonomous way to have movement in your shots and you won’t run the risk of bumping the slider and ruining a shot. If you still want manual control, most motorized sliders can be controlled by hand as well.

Motorization is essential for time-lapse motion. And even for real-time shots, mechanization can be very helpful if you need precision.

Motorization for sliders can either be built-in or a modular attachment. Sliders such as the GVM Motorized Slider have a built-in belt and motor with a remote where you can adjust speed and direction.

When the slider has in-built motorization, this is often driven by a drive belt, whereas attachments are often moved by rope or wire.

A flywheel is another great attachment to your slider if you are looking for a way to help ensure smooth movement. Essentially a flywheel is a counterweight that works reduce changes in force in inconsistent slides.

As opposed to motorization, the mechanics of a flywheel work to limit the imperfections that may be found in a human push.

Often times flywheels work with a belt-driven pully system in which you crank a handle to move the camera and doing so can give you manual precision without having to deal with an electronic interface.

Other sliders, such as GVM’s slider which includes a flywheel, have it located on the bottom of the camera mount. Though you still push the camera with your hand, the dampening from the flywheel takes away natural shaking and its sensitivity can be adjusted.

Whether you decided to pick up a motorized slider, one with a drive-belt, a flywheel, or none of the above, there are strengths and weaknesses.

For example, drive-belts, motors, and flywheels all add weight.

Additionally, though the smoothest option, the interface and set up behind a motorized slider can be cumbersome.

How To Use A Slider

The concept behind a slider is relatively simple and so is their usage. That being said, there are some specific tricks and issues that may come up.

If you purchase a slider with no mechanized method of smoothing your shot, it’s pretty simple.

However, those that include motors all have varying interfaces and set up processes.

Sliding the base plate onto the rails and affixing the feet is essentially all that is needed for the simplest of sliders.

Typically, the feet will detach as will the base plate for traveling purposes.

Once it’s assembled, you simply push the camera up and down the track.

The challenge with sliders that have no mechanics is that there is nothing working against your human push, so having a steady hand and a stable surface is essential.

Make Sure the Drive Belt is Secure

Motorized sliders and ones that have drive-belts can be a bit more involved, and their set-ups are very dependent on the brand and model you’re using.

However, one very important consideration is to make sure that your drive belt is secure. This will ensure accuracy with motorized placement, and if your using a crank a secure drive belt means no slipping.

Many motorized sliders are also moveable by hand, but using the motor is preferred. How to do so is dependent on the motor you have, though it typically involves setting start and endpoints, durations or loops.

A flywheel slider can either be pushed by hand or using a crank if it has a drive-belt. Setting these up can be a bit more involved but is typically faster than setting parameters for a motorized slider.

It is important to remember that if your slider has a flywheel you can adjust the resistance. This is essential to remember as it helps you adjust the speed and stability of your shot.

If possible, you always want some resistance against your hand.

When To Use A Slider

Perhaps the more important question to ask is when to use a slider.

Though sliders create smooth shots, it is important not to get carried away. Because they remove the human touch, using sliders in the same fashion repeatedly can be tiresome and look mechanic.

Sliders are great at doing reveals, establishing shots, b-roll, and time lapses (if they are motorized). However, you are not limited to horizontal movement only when using a slider.

Though the motors in sliders typically only allow for more or less lateral movement, different setups can allow you to have great variation while successfully capturing smooth footage.

Tracking and dolly shots are great, but when you combine a slider with a tripod (or two) and a fluid head mount, the possibilities greatly expand.

Creative Ways to Use a Slider

Below are some of the most common and useful shots you can achieve with a slider outside of the typical lateral movements. The limits are truly up to the imagination, and hopefully, this list will inspire your own creativity to expand your usage.

If you have a fluid head mount on your slider, playing with pans, tilts and manual focus are some great ways to get inventive with your cinematography. So, here are some shot ideas to spark your creativity.

First is the pan-slide. This is a relatively simple shot that involves panning while sliding. However, the extra motion of the pan allows for a more dynamic image and it can be great to change the subject of the shot.

Another way to play with your slider is to adjust the lateral tilt. In so doing you will no longer be moving flat. If your subject is changing in height, or you want to reveal over something, this is an interesting way to do so.

Many sliders, though not all, are also able to mount vertically on a tripod. Being able to slide up and down allows you to mimic a pedestal effect and is a type of shot often seen when people move from sitting to standing or vice versa.

This move can also be paired with a tilt if you want to change angles while staying on a subject.

One of the most interesting uses I’ve seen for a slider that pushes the limits of its usability is to attach one of the ends of the slider to your tripod mount while having the camera at the other end, essentially creating a long arm that can mimic a crane or jib shot.

Not all sliders have the necessary mount to execute this. Some sliders do not have tripod mounts or are short in length. However, adding a fluid head mount to any slider and playing with the incline is a great way to come up with some very smooth shots

Recommended Camera Sliders For Any Budget

There are many different options for sliders, at a huge variation in the price range.

A lot of what you’ll need to consider is the weight of your rig, the type of filmmaking you do, and your price range.

However, below are 10 sliders ranging from affordable to professional covering the features we discussed above. In addition to their specs, I’ve been sure to include some of their unique features, strengths, and weaknesses.

1. Neewer Camera Slider Carbon Fiber Dolly Rail (Best Budget Portable Entry-Level Slider)

Weight: 2.11 lbs / 0.96 kg

Rail Length: 11.8 in / 30 cm

Material: Carbon Fiber

Load Capacity: 12 lbs / 5.44 kg

Strengths: This is a great entry-level slider. It is affordable, durable, and has a level. The lightweight and short length also make it extremely portable. Finally, it can be mounted vertically on a tripod giving you creative options.

Weaknesses: No method of smoothing out your push, so it requires a steady hand. It is also very short, limiting its usage, and carbon fiber is not the smoothest material for rails. The feet are also not adjustable.

Description: The Neewer Camera Slider Carbon Fibber Dolly Rail is a great on-the-go slider at a very affordable price. With a load capacity of 12 lbs, it can work with most small camera rigs, though its short length and lack of features to smooth the shot will limit usage and make precision difficult.

Check the current price on Amazon.

2. GVM 24”/60cm Camera Slider with Flywheel and Light Carbon Fiber Rails (Best Budget Slider With Flywheel)

Weight: 4.2 lbs / 1.90 kg

Rail Length: 24 in / 60 cm

Material: Carbon Fiber

Load Capacity: 33 lbs / 15 kg

Strengths: This slider includes a flywheel under the mount to limit human inconsistencies. It is also two feet in length, giving a decent range of motion, and has a level. With a carrying capacity of 33lbs, this slider should hold any camera rig, while still being lightweight.

Weaknesses: This slider has carbon fiber rails, which aren’t as smooth as aluminum or steel. Though it has a flywheel, there is no drive-belt, leaving the opportunity for human error more open. This slider also doesn’t have adjustable feet, making minute changes in leveling difficult.

Description: This is an exception slider at an affordable price. The flywheel will help create a much smoother shot, and it is a portable size and weight. This GVM Camera Slider can also be mounted at a variety of angles (and vertically), letting its user get creative.

Check the current price on Amazon.

3. Neewer 31.5 Inches/80 Centimeter Carbon Fiber Camera Track Slider (Best Affordable Slider With Adjustable Feet)

Weight: 4.88 lbs / 2.12 kg

Rail Length: 31.5 in / 80 cm

Material: Carbon Fiber

Load Capacity: 17.5 lbs / 8 kg

Strengths: This is the first slider we’ve looked at with adjustable feet (which can fold in and out and extend by 1.5 cm). It is also 80 cm long which allows for a greater range of motion and usability at a relatively lightweight. It is usable at any angle, including vertical placement.

Weaknesses: There are no mechanics to smooth your shot with this slider. Also, the length means that two tripods may be needed to prevent your rig from tipping over if you’re not using a table or other flat surface.

Description: The 31.5 Inch Neewer Carbon Fiber Camera Track Slider is a great entry-level slider with at a long length. Its load capacity should be adequate for most rigs, and its adjustable feet and ability to be used vertically allow for a variety of shots.

Check the current price on Amazon.

4. Neewer Camera Slider Video Track Dolly Rail Stabilizer: 31-inch/80cm, Flywheel Counterweight with Light Carbon Fiber Rails (Best Budget Professional Slider)

Weight: 6.17 lbs / 2.80 kg

Rail Length: 31 in / 80 cm

Material: Carbon Fiber

Load Capacity: 17.5 lbs / 8 kg

Strengths: This slider includes a flywheel with a drive-belt and crank, producing a very smooth shot. It is also able to be inclined, not limiting your options. The 80cm length also provides a large range of motion and the fully adjustable feet let you level the slider on surfaces that may not be completely flat.

Weaknesses: At 80cm with a flywheel and crank, this slider is not as portable as some smaller options. Its carbon fiber rails keep it from being too heavy, however, they also prevent it from producing the smoothest shot combined with cheaper bearings.

Description: This is a great entry-level slider with mechanics in place to produce a smooth shot. Paired with a tripod, it is possible to achieve a huge diversity in shots. Though it has a crank and flywheel, that will not prevent filmmakers from placing the slider at an incline or using it to mimic a jib.

Check the current price on Amazon.

5. Kamerar 31” Fluid Motion Video Slider (Best Alternative Budget Slider With Crank Wheel and Drive-Belt)

Weight: 6 lbs / 2.72 kg

Rail Length: 31 in / 80 cm

Material: Carbon Fiber

Load Capacity: 10 lbs / 4.54 kg

Strengths: This slider includes a flywheel and drive-belt with a crank, allowing for steady and accurate movements. It’s 80 cm length gives the filmmaker plenty of options, and the carbon fiber rails keep it at a relatively lightweight. There are also adjustable feet that can fold and extend, allowing for easy leveling.

Weaknesses: This similar to the Neewer, this slider is not super portable due to its length and wheel. Though affordable, at times it is more useful to use your hand than the crank.

Description: This slider is another affordable option with a flywheel in place. Its length allows for versatility and it can be mounted vertically. At 10 pounds, this slider should be able to handle most cameras, though it carries less weight than most of our other options.

Check the current price on Amazon.

6. ZEAPON Micro 2 Camera Slider Rail (Best Affordable Slider For Travel)

Weight: 2.4 lbs / 1.1 kg

Rail Length: 13 in / 33 cm

Running Length: 21 in / 54 cm

Material: Aluminum

Load Capacity: 11 lbs / 4.99 kg

Strengths: This slider expands as you slide, giving double the distance as the rail length. This is great for portability as well as push-ins and pull-outs without having the slider in the shot. It’s aluminum construction and dampening mechanics allow for a lightweight, sturdy, and smooth shot

Weaknesses: There are a few weaknesses to this slider. Its length isn’t as long as some of our other options, limiting some of the shots you can pull off. Though you can tilt it on a tripod, you cannot attach it vertically. It also does not have feet, so a tripod is necessary to use this slider.

Description: The Zeapon Micro 2 is an excellent slider for quite an affordable price. The extending rail allows for an impressive distance covered while remaining portable, and the aluminum alloy rail keeps this slider extremely light, smooth, and sturdy with a load capacity of 11 lbs. A tripod is necessary to use this slider, but if you have one, it is a great choice.

Check the current price on Amazon.

7. GVM Camera Slider with Motorized Time Lapse and Video (Best Affordable Motorized Slider)

Weight: 5 lbs / 2.27 kg

Rail Length: 31 in / 80 cm

Material: Carbon Fiber

Load Capacity: 11 lbs / 4.99 kg

Strengths: This is the first slider we’ve looked at with a motor, allowing smooth shots and time-lapse. Additionally, you’re able to set this slider to move straight, parallax, or 120-degree panning, meaning you don’t have to manually pan the camera as you slide it. The slider has adjustable feet and can be mounted at any angle

Weaknesses: Being such an affordable slider, the build is not the most durable, so be sure to take care of the drive-belt. Setting the motor and adjusting panoramas and parallax panning can also make your set up take extra time.

Description: If you want an affordable slider with a motor, this is a great choice. It is versatile and can be mounted at a variety of angles. Additionally, pairing the motor with the parallax feature lets you achieve very smooth and precise slides and pans that track a subject. If you need an extra camera for an interview, the motor can be set on a loop and the slider can be set to keep the subject in frame.

Check the current price on Amazon.

8. GVM Motorized Camera Slider, 31″ Aluminum Alloy Track Dolly Rail (Best Professional Budget-Friendly Motorized Slider)

Weight: 11.55 lbs / 5.34 kg

Rail Length: 31 in / 80 cm

Material: Aluminum

Load Capacity: 22 lbs / 9.98 kg

Strengths: This is another great motorized slider. The aluminum construction makes for a more durable and smoother shot. It also has a parallax feature, allowing a subject to be tracked as the camera moves. The motor can be set for a time-lapse or put on a loop for situations such as interviews. The slider is also functional at a variety of angles, giving the filmmaker many options.

Weaknesses: There aren’t too many weaknesses to be found with this slider. The weight makes it a bit cumbersome, as does the length (though a 48-inch version is available as well). The user interface for the motor is not intuitive, and the controller isn’t very sturdy. Additionally, the motor can be heard in the audio, so the second source of sound is recommended.

Description: This is a very sturdy motorized slider and very smooth. Setting up motorized sliders can be time-consuming and this is no exception. Additionally, the motor is rather loud and will be audible if you’re using a mic on the camera.

Check the current price on Amazon.

9. Edelkrone SliderPLUS Long (21″) (Best Portable Professional Motorized Slider)

Weight: 5.55 lbs / 2.52 kg

Rail Length: 31 in / 80 cm (15.5 in / 40 cm on the ground)

Material: Aluminum

Load Capacity: 10 lbs / 4.54 kg (40 lbs / 18.14 on the ground)

Strengths: Like the Zeapon Micro 2, this slider extends as you move the camera. However, the Edelkrone provides a much larger range of motion of up to 80cm. The aluminum and stainless steel construction ensure very smooth movements and high durability.

Weaknesses: The specs of this slider depend on whether or not you’re mounting the slider on a tripod or resting it on the ground. If on the ground the range of motion is limited. Additionally, because of the extending rails, you can only mount it on one tripod. Make sure your tripod is sturdy if you use the full range of motion.

Description: The Edelkrone SliderPLUS is a professional grade slider and the price reflects that. It has a high load capacity, and extending rails mean they are less likely to be in the shot. Additionally, Edelkrone manufactures a variety of mounts you can put on this slider, as well as motors, so you can have very smooth slides, pans, and tilts.

Check the current price on Amazon.

10. SYRP Magic Carpet PRO 3′ Medium Track (Best Professional Slider)

Weight: 5.5 lbs / 2.5 kg

Rail Length: 36 in / 91.44 cm

Material: Carbon Fiber Alloy

Load Capacity: 70 lbs / 32 kg (24.2 lbs /11kg vertical)

Strengths: The SYRP Magic Carpet Pro is a professional-grade slider. It features an integrated flywheel in the carriage and has a buttery smooth pan. Quick-release components offer a quick and easy assembly, and it supports insanely high load capacity even when used vertically. Unlike other carbon fiber rails, the SYRP Magic Carpet rails are very smooth and very durable.

Weaknesses: There are few weaknesses to this slider outside of its steep price. It does not include a built-in motor but features a flywheel that will smooth out the shot.

Description: If you are shooting with heavy cameras and other sliders are not durable enough, the SYRP Magic Carpet Pro has you covered. It is remarkably durable and produces a great shot, holding a heavy load capacity even when vertical. Additionally, SYRP manufactures additional rails, so if the three-foot length isn’t enough, you can continue to extend the slider. If it’s within your budget, this can let you get some very long, and very impressive, tracking shots.

Check the current price on Amazon.


There you have it. A range of sliders from affordable entry-level sliders, to professional-grade equipment that can handle a load capacity of up to 40 pounds.

From the mechanized to the manual, there are options for everybody, and a variety of creative and visually interesting shots can be executed no matter the choice.

Sliders such as the Edelkrone and Zeapon with extendable rails may suit your need more than something like the GVM Motorized slider.

In the end, it comes down to personal preference and needs. However, with all these products you will be able to do more than if you’re stuck locking your camera down to a tripod.

Personally, I love seeing a slow tracking shot during an interview, though there are plenty of other applications for a slider.

What kind of shots inspire you? What slider do you use or want? Let us know in the comments and let us know how you’ll use a slider in your next project.

Cade Taylor is a filmmaker and writer based out of Los Angeles. Originally from Seattle, he continues to work as the Outreach Coordinator for the Bigfoot Script Challenge, where he helps connect up-and-coming writers with industry professionals. When he’s not working on his own projects, helping out with Bigfoot, or covering desks, Cade loves to share what he knows with other filmmakers and promote great content.

1 thought on “Guide: Best Professional Camera Sliders For Any Budget”

  1. Great advice. Except… You need film to film. Cinematographer, Video Maker, Movie Maker, digital shorts. Apply your creativity! 🙂 You have a great deal of talent. The more you understand your craft the better you become over all the others. 🙂


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