Published: March 6, 2019 | Last Updated: May 26, 2025
Next to the camera and lenses, the next most crucial facet of a videographer’s equipment cache is the tripod. “What could be easier to purchase,” you think, “three legs and a mounting plate for the camera.”
Then, your cursory online search returns 20,000 results, each marginally different from the one before. Where do you start?
Not to worry. We’re here to help. Here are six things to consider before purchasing a tripod to add to your inventory.
1. What height/size/weight do you need?
As you probably guessed, tripods come in a ton of different sizes.
For film and video production, your height isn’t the most critical factor as it generally is in photography, where you want to avoid bending more than necessary by keeping the viewfinder at eye level.
The most important consideration for video is the camera type you will be using. A camera that is too heavy for the legs and head of your tripod can damage both, stripping the screw grooves on the center column or collapsing the legs.
Conversely, it’s not a good idea to grab a tripod weighted for cameras heavier than yours since you’ll be lugging it to and from jobs, and dragging unnecessary dead weight is no fun for anyone.
Finding the right weight range for your camera will optimize the tripod’s fluidity of movement and put the lightest load possible on your kit.
Remember, consider lens and external microphones, as they all add to the weight of your camera body.
2. The Head
Are you looking to achieve smooth pans and fluid tilts to add a crisp layer of production value to your work?
Static shots are good, but the adept videographer or cinematographer needs the pan and tilt like bread and butter. With that in mind, let’s go through the types of tripod heads.
The Ball Head
Ball heads are popular for photographers because they let you position the camera at almost any angle you need, up to 90 degrees, thanks to the dipped housing on some models like the one below.
This can also work for video, but achieving smooth results or minor tweaks and adjustments can be tricky without a clear axis for panning or tilting.
The Pan and Tilt Head
The pan and tilt head is bulkier than the ball head, but the twist arms allow some fine-tuning when necessary.
This head operates on two axes that enable you to execute pans and tilts independently of each other.
The Fluid Head
Fluid heads are by far the best for video work.
Regarding planes of movement, fluid heads have the added benefit of induced friction or drag when panning or tilting. This is very effective in achieving silky smooth movement.
These heads often come with a counterbalance setting, allowing you to adjust for the weight of your camera when tilting forward or back, eliminating the tendency to keep tilting further than you intended.
3. Tripod Legs
Tripod leg features are more straightforward and less complicated than the head. Leg choice depends on the type of metal, the number of leg tubes, locking mechanisms, and foot grips.
The biggest construction (and price) choice between tripod legs is whether they are aluminum or carbon fiber.
Aluminum is lightweight and can withstand a beating. It is a good choice for smaller cameras and quick, mobile jobs where you pack up and head to multiple locations. It usually doesn’t break the bank or your back.
Carbon fiber is an even lighter alternative to aluminum and a bit sturdier concerning the weight it will support. But carbon fiber does run higher price-wise than aluminum, so it’s all about deciding what’s right for you.
In this case, both types are pretty evenly matched, with carbon fiber slightly edging out aluminum performance-wise.
Keep in mind, though, that lighter doesn’t always mean better. If you have to carry an extra sandbag to tie down your carbon fiber tripod because it’s too light in windy conditions, you might have been better off with an aluminum tripod.
See a list of good carbon tripods for video.
Build and sturdiness of tripod legs.
Tripod legs also have different internal builds, with most lightweight tripods featuring one-tube leg sectioning.
Some medium builds also use one-tube construction, giving you options when moving into upper-tier tripods.
Heavy-duty trucks will always have two-tube legs. The difference between one-tube and two-tube trucks is the level of stability under a more massive load. Two-tube trucks provide more support.
Again, the choice here depends on the size and weight of the camera you’ll be using and the movements you want to execute.
Center-column or not?
Most one-tube tripods also have an adjustable center column, which allows you to quickly raise or lower the tripod’s height without adjusting the legs. However, the higher the center column is raised, the more destabilized the tripod becomes.
Also, one-tube tripods with long center columns may be counterproductive to the job you need if you’re looking for shallow angles.
On some one-tube tripods, though, such as the Manfrotto 190 pictured above, the center column can be flipped 90 degrees. The legs can also be extended almost horizontally, allowing for incredible low shots close to the ground.
Tripod leg locking mechanisms: flip-latch locks vs twist locks
The locking mechanisms differ for the different types of legs. Most one-tube legs will have either flip-latch locks or twist locks.
Twist locks have a longer life and generally lock with more power, preventing any loosening over time, compared to latch locks, which tend to lose grip strength the more they are used.
Two-tube legs have clamp locks that are very strong and reliable. They often come equipped with locking safeties to prevent overtightening, keeping the leg locks active for a longer period.
Feet: rubber, spikes, or wheels?
The final part of the leg of a tripod is the foot.
All tripod feet are built with some grip. These grips vary from simple rubber boots to prevent sliding to grooved rubber or plastic feet that grip the environment and help stabilize the tripod in precarious outdoor environments.
Some tripods also come with spiked feet that can root in place. This is great for outdoor shoots on sloped or uneven surfaces. When setting these up indoors, either use a rubber cover over the spikes or a spreader to prevent damage to the flooring.
Heavy-duty tripods sport big professional cameras used on big productions and often sport wheels for easy mobility.
When loading a 20-pound camera on an already bulky tripod, pushing is preferable to slinging it over your shoulder.
Quick-Release Plate
Quick release plate on the Manfrotto MVH500AH fluid head © Jan Sørup
The quick-release plate allows for your camera to easily click onto and unclick from the tripod head, rather than having to tediously screw and unscrew the camera whenever you need to move it.
Most quick-release plates have either a twist-lock mechanism or a latch-locking system. Both are good systems. The twist locks sometimes come with a button release, adding some safety redundancy to protect your camera in case you forgot to close the lock.
While a quick-release plate isn’t necessary to own and operate your tripod and camera on a job, it makes life much easier, especially on sets when camera batteries need changing or cards need to be swapped out.
Monopod
I figured I’d mention the monopod here as well because, while not a tripod, there are some shoots where a tripod isn’t necessary.
Monopods are useful for quick, on-the-go, and mobile shooting. They offer fast stabilization when accuracy is less important.
Monopods have easy-to-adjust leg locks, usually twist locks. They’re also much lighter since you’re only carrying one-third of the tripod in your hands.
Your best bet is to find yourself a tripod where one of the legs is removable and doubles as a monopod rather than buying a monopod separately unless you can justify the expense based on the shoots you’re hired to do.
GorillaPod
I also figured I’d mention this as one of the non-standard models available to filmmakers and photographers.
Perhaps better geared for photographers based on its static nature and ball mount head, the GorillaPod is a rugged tripod for outdoor use.
Its selling point is its multi-jointed flexible legs, which can be bent in almost any direction to ground it on even the most untenable surfaces.
They even have a video production model with a fluid head affixed to the legs for videographers. This is a miniature tripod for cameras only up to as large as a DSLR (6-ish pounds or so), so anything bigger defeats the purpose.
Super lightweight and adjustable, this could be a good piece of equipment to store in your kit, even if you’re not planning on using it.
Since its weight and size are negligible, it works for on-the-fly creativity for DSLR shoots or something smaller.
Summing Up
As a whole, the tripod is a deceptive piece of equipment.
What looks like a simple three-legged contraption has many components designed to give photographers and videographers an edge in their work.
Knowing what you need for your work is important to get the most tailored solution.
Whether you’re looking to capture that beautiful outdoor mountain range at a golden hour or are whip-panning between two characters trading snappy dialogue, follow this guide, and you’ll be on the right track.
Which tripod do you prefer for video, and why? If you have any questions about tripods, please share them in the comment section below.
Read Next: Budget-friendly tripods for mirrorless hybrid cameras.
