What Is an Entertainment Lawyer? And When do You Need One?

What is an Entertainment Lawyer definition job description featured image
Reading Time: 3 minutes

Published: August 20, 2025 | Last Updated: December 12, 2025

Add FilmDaft as a preferred source on Google
Add FilmDaft as a preferred source on Google

What Does an Entertainment Lawyer Do?

Entertainment lawyers deal with the legal side of the creative process. That means reading, writing, and negotiating contracts.

If you’re a writer, they help you option your script to a studio without giving up all your rights. If you’re a director, they check your contract to make sure you’re protected if the project changes hands.

Entertainment lawyers also handle intellectual property. That includes copyright, licensing, and protecting original work. If someone uses your screenplay or footage without permission, a lawyer helps you take legal action.

Read more on how to copyright your screenplay.

If you want to use a copyrighted song in your film, they can help you secure the proper license before you release it.

Read more about stock media licensing if you want to use royalty-free music and stock footage for your film.

When Should You Hire One?

You should use an entertainment lawyer anytime you’re signing a contract that affects your money, your rights, or your creative control. That includes talent agreements, financing deals, distribution contracts, and release forms.

For example, a composer might want to keep the rights to their music. A lawyer can write that into the agreement. If you’re licensing a short film to a streaming service, a lawyer can make sure you’re still allowed to submit it to festivals or post it online later.

How Are They Different from Agents and Managers?

Agents help you get jobs. Managers help guide your career. Lawyers protect your legal rights. You can work with all three, but only a lawyer is qualified to give legal advice or represent you in court. If something goes wrong with a contract, it’s the lawyer who steps in.

Read more on the difference between an agent and a manager.

Real-World Examples of What They Handle

Entertainment law covers a wide range of situations, from contract issues to ownership disputes. Below are common jobs a lawyer takes on to protect your rights during production, post, and distribution.

  • Script Sales: A lawyer makes sure a writer keeps credit and royalties when a script is sold.
  • Music Licensing: Before you use a track in your short film, a lawyer checks that the license covers all platforms. See a guide to where you can find royalty-free music.
  • Distribution Deals: A lawyer reads the fine print when a streamer offers to buy your film, looking for rights you might be giving up.
  • Copyright Disputes: If someone copies your film or logo, a lawyer helps you take legal action to stop it.

What Skills Do Entertainment Lawyers Need?

If you’re thinking about pursuing a career as an entertainment lawyer, you need strong legal knowledge and a deep understanding of the entertainment industry. That includes how unions work, how streaming contracts are structured, and how royalties are paid.

You also need good communication skills to explain legal terms clearly and negotiate tough deals. For example, if a studio adds a clause that lets them recut a movie without the knowledge of the director, a good lawyer will spot it and fight to remove it. They know how deals work in real-world productions.

Summing Up

Entertainment lawyers protect your creative work, your rights, and your income. They ensure the deals you sign benefit your career, not hinder it. If you’re serious about working in film, you need someone on your side who knows the law and knows the business.

Read Next: Want to keep your production on schedule and under control?


Browse all project planning articles — from production calendars and call sheets to budgeting, scheduling, and prep workflows.


Or return to the Pre-Production section for casting, crew, location scouting, and more.

By Jan Sørup

Jan Sørup is an indie filmmaker, videographer, and photographer from Denmark. He owns FilmDaft.com and the Danish company Apertura, which produces video content for big companies in Denmark and Scandinavia. Jan has a background in music, has drawn webcomics, and is a former lecturer at the University of Copenhagen.